Robert and Christina Go to Hawaii

Part 3: Friendly Chefs and Museums

Back at our hotel, we washed up, changed, and went out again, this time to an ABC Stores ourselves, where we bought a map of Oahu, and then back to the Aloha Sushi from yesterday. The same woman sold us three handrolls, but this time we splurged on the really expensive, fancy rolls: our total was $6.84 with tax. Robert handed the woman $22.09 in cash.

“I don’t know why you give me that,” she said, but she took the money and entered the amount into the register. “Oh!” she said. “I know why you give me that!” She handed us our nice round amounts of change. “How you do that?” she asked.

“He’s a math person,” I explained. “He thinks of these things all the time, in his head.” Of course, the famous Buffy quote about math comes to mind here: "Giles probably sat there in math class thinking, There should be more math here. This could be mathier."

“I was a math major,” Robert said at the same time I did. “I think of numbers all the time—I like numbers.” The woman told us she was a math person too, an accountant in college, but that now that she was getting older, she was forgetting the numbers. Robert agreed that he feels that way as he’s getting older, and she laughed, before disappearing into the back in order to make our rolls.

I was sorry that we never got to go back and see her again, but somehow we never had the chance. I’m even sorrier that there’s no Aloha Sushi around here.

We ate our rolls at a table near the Starbucks, and then hopped on a TheBus to go over to the Honolulu Maritime Center, in the harbor. TheBus #19 is apparently the Hawaii equivalent of Boston’s #1 bus as far as proportion of crazy people go. Crazy man #1 was already on the bus when we got on, talking loudly to people who didn’t want to answer him. A smelly crazy man (Crazy man #2) in a trenchcoat got on with us, and sat down next to Crazy man #1. They seemed to have a nice chat. After a few stops, a fat crazy man (Crazy man #3) holding a ukulele in a case got on TheBus and sat on the other side of Crazy man #1. He helpfully put his ukulele as far out in the aisle as he could in order to block the un-crazy people from entering or leaving. He joined in the conversation, pausing now and then to drink from airline-sized alcohol bottles. He didn’t bother putting them in a bag, but instead sat on the front of TheBus, in the handicapped seats on the right side, clearly in the driver’s line of sight, and drank openly. He asked Crazy man #1 if he was Russian, because he liked Russians, but Crazy man #1 denied it. Crazy man #2, the smelly one, leaned across Crazy man #1 to ask Crazy man #3 (the (obviously) drunk one) to move his ukulele. He did. They got off one by one so that only Crazy man #3 was left when we got off TheBus. We were glad, at least, of the free entertainment.

When we left TheBus, we had a great view of the Aloha Tower, which led to “aloha” taking on its 20th-century meaning of “hello,” and of a funny new non-boat boat, which supposedly prevents its passengers from ever being seasick or feeling the motion of the water. I say “non-boat” because the literature insists that it’s not a boat—instead, it’s a SWATH, or a Small Waterplane Area Twin Hull vessel. Here it is, at any rate.

Finally, we started walking up to the museum, but we were distracted by an old man sitting on a pier and tossing bread into the water. He was feeding fish, but oh, what fish they were! Bright, tropical, striped, beautiful fish, such as we’d just seen in the aquarium, here, at a pier, in the clear water fighting for bread. There was even a crab or two, scuttling around on the dock. “How do you think they taste?” asked Robert.

The Honolulu Maritime Center, and its accompanying ship, The Falls of Clyde, win our prize hands-down for both the friendliest museum in the world and the most underrated attraction in Honolulu. The many whaling, shipping, and history exhibits were good, but the staff went out of their way to help us. There were only two other people in the entire museum when we were there; you can see the museum in a couple hours, leisurely, or more quickly if you don’t linger in front of maps of Captain Cook’s landing sites or things like that.

Moored next door, The Falls of Clyde is, as we were repeatedly told, “the only surviving fully-rigged, four-masted sailing ship left in the world.” It dates to 1878, and it’s a metal-hulled and oil-powered remnant of the great ocean-freight era of the late 19th and early 20th century Hawaiian freight runs. A welder doing small repairs on the boat engaged us in a long conversation when he was about to go home for the day: he’s from Canada; he didn’t know the Mystic Seaport folks who came all the way out to Hawaii about 10 years ago to oversee the main part of the renovation; he came here to study shipbuilding and except for one English (except he insists it be called “American”) class, he’s done with his degree; he lives on the north shore, near the Jurassic Park filming, in a house with ropes around the fence in between the road and the beach; we should come visit him sometime; we should ring the ship's bell before we left, so that everyone would know we're here.

On our way off the ship and back through the museum in order to leave, at 5:00 or thereabouts—closing time—we met another ship worker, who’s in charge of eliminating leaks. He, too, chatted with us for a nice long time: he spent most of his day underwater, caulking; the ship is taking on water at a fast rate, filling up its freight compartments with water every month or so so they have to be emptied; the ship tilts, getting ever closer to the building; the best place to view the ship is from the observation deck upstairs, isn’t it? What? You haven’t been to the observation deck? Go right up now. We did. They kept the museum open for us. We squinted and tried to see the tilt, but we couldn’t. When we came back down, the museum wrote us rainchecks so that we could come back in anytime within a week to visit them again for free, if we wanted. Wow.

Robert at an exhibit showing how livestock was taken off the ships and delivered to Hawaii ports.

We waited a long time for a TheBus to head home, only to discover that the TheBus which had taken us here couldn’t take us directly back—we’d have to transfer at the Ala Moana Center instead. So, since it was MacWorld France that day, we took the opportunity to go into the Apple Store and see banners about the beautiful new all-in-the-monitor iMacs. We used their internet access, too, and then raced through the mall looking for what one website had called the best boba drinks in all of Oahu, only to find out that they’d closed about six months ago. En route, we saw a couple mall fountains which were pretty standard except that they, too, boasted wonderful tropical fish. We watched the fish for several minutes as they sniffed around, but ultimately avoided eating, a penny. After another wait, we caught TheBus home, with just enough time to wash up, change again (yes, Hawaii is very hot, and we’d been running around so much we were always getting sweaty), and go out to dinner.

We took a cab, this time, instead of a bus, but though this driver used the meter, he was not a very impressive cabbie. Robert asked him how many cabs there are in Honolulu, what their restrictions are, and how much a license or medallion costs; we told him about New York statistics, and while he was interested at first, he gradually started sounding suspicious.

“Why do you want to know all this?” he asked.

“I like numbers,” Robert began again, but this guy took it less well than the woman at Aloha Sushi.

The cabbie also got lost, or claimed to, driving us two or three times further than he needed to and then circling back, after initially claiming to know just where the restaurant was and even to have eaten there. We began to doubt this after he asked us why we wanted to go “all the way” over to our destination restaurant (which, as we learned from the nice cabbie on the way home, was really all of a three-minute drive away if you don’t take odd routes), when there were “all these restaurants right here,” in Waikiki.

We had just passed Todai, the California all-you-can-eat seafood place, which we do like, in California, and often get a kick out of, but there was also an Outback Steakhouse, a Tony Roma’s, and some Italian chain place within sight. “Really?” Robert asked, sounding worried. “You like the places around here more than where we’re going?” The cabbie reassured us that yes, he did. “Like what?” Robert asked, holding his breath. I was more skeptical than Robert, but I held mine, too—tonight’s dinner had been my idea, with Robert knowing nothing about what the place was like, and I was nervous.

“Well, like Tony Roma’s,” the cabbie said, and Robert was suddenly no longer worried.

I’d made reservations a week or two ago at Alan Wong’s Restaurant downtown, for two at the chef’s counter—a bar built across the front of the completely open kitchen. The appetizer station was directly in front of us, with salads to its right and entrees at the far right. Desserts ran across the back, mostly out of view. The restaurant was nearly empty, with only one other person at the chef’s counter, down a few seats, and about half a dozen tables. Our waiter was Jason, who had moved to Hawaii because he “really wanted to work on [his] surfing.” Our main chef contact was Doug, the head appetizer guy for the evening, who talked to us as much as we wanted throughout the evening. There was also Lance, who was in charge and who Doug kept teasing.

Everyone in the kitchen ran around each other efficiently, tossing pans of kalua (no, not Kahlua the liqueur—ka’lua, from the pit, although here they made it in the oven) pig (not pork—you must always say kalua pig, for some reason, even though they just use the pork butt here) in and out of the oven, shredding meat, folding foil to roast the pork and some clams again, using squeeze-bottles galore, and never bumping into each other. The service was perfect, and Doug gave us tastes of whatever we wanted—a custard cup full of kalua pig before we ordered, a taste of a li hing mui (salty plum), prune, and balsamic chutney, which they usually use in an appetizer, over a scoop of vanilla ice cream when we had an extended conversation about li hing mui.

I accidentally, but understandably, confused li hing mui with lilikoi, the yellow passionfruit which is everywhere here. Robert, who at this point was feeling the effects of jet lag far more than I, and who at 8:15, even before we ordered, was practically propping his eyelids open manually, confused poi and poke—not as understandably. When he realized his confusion, he then attempted to apologize to the waiter, who had no clue what was going on.

Robert had the five-course chef’s favorites tasting menu, while I ordered the lobster mousse California roll (no rice—the lobster mousse substitutes), “da bag” (a savory, marvelous concoction of kalua pig, spinach, and clams roasted together in foil and cut open before you), poi (not good. None of our servers or Doug like it either, they say, although they also say that if you sprinkle it with sugar it’s a lot better), a steamed opakapaka fish with a shrimp-pork hash (buttery fish, tasty shrimp layer), and the five brulee tasting dessert (lilikoi, kona coffee, chocolate, macadamia nut, and litchi). It was a great experience: dinner and entertainment rolled in one, and even sleepy Robert loved it. Definitely our best night out in a restaurant, and about the same price as our anniversary dinner at Bar Masa in New York. We left happily, exhaustedly, and were home and in bed by 10:30.

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Created: 9/10/04. Last Modified: 9/10/04